Corinne fenton biography sample

THEATRE REVIEWS

4. Corinne (1876)

Corinne
by Robert Buchanan
London: Lyceum Theatre. 26 June to 8 July, 1876.

Published: London: 1876. 78 p.; 19 cm. [“Corinne. A romantic play, by Robert Buchanan, in four acts. Entirely original. Privately printed, not for publication.”] Available here or (for different formats) the Internet Archive.

The Edinburgh Evening News (1 January, 1875 - p.3)

     ROBERT BUCHANAN’S COMEDY.—The new poetical comedy by Mr Robert Buchanan, says a London correspondent, will be in a totally different style from the one dealing with Charles II. produced at the Haymarket. The principal part is intended for Miss Isabel Bateman, who, although she does not exhibit the tragic power of her elder sister, is a most promising and intelligent actress.

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The Leicester Chronicle (28 August, 1875 - p.6)

     It is rumoured that Mr. Robert Buchanan has more than one “truly original and veritably legitimate” play ready.

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The Dundee Courier and Argus (17 January, 1876 - p.3)

     Mr Robert Buchanan has written a new play, the scenes of which are laid in the period of the first French Revolution.

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Glasgow Herald (15 April, 1876)

     “What is a first-rate theatre?” This, the question which is being eagerly debated between Mr Robert Buchanan, poet and playwriter, and Mrs Fairfax, an ambitious actress for whom the former had written a drama. The play, when finished, so pleased the actress that she wrote her acknowledgments to the author, and added, in spontaneity of female enthusiasm, that it should only appear at a first-rate theatre, for there alone would the audience properly appreciate its beauties; and, moreover, it was due to those beauties that they should be displayed to the best advantage. The author naturally was pleased, and after considerable delay he received notice from Mrs Fairfax that she had concluded an arrangem

A move to the country

In April 1930 Georgette Heyer had returned to England from Macedonia where her husband, Ronald Rougier, had been working as a mining engineer in the lead mines near the Bulgarian border. It cannot have been an altogether easy transition, as they had no home of their own in England and jobs for mining engineers were not easy to find once back in Britain. They had returned home in part because Georgette had decided that they should try for a baby which, for her atleast, meant no more overseas postings. As she explained to her friend Carola Oman, if she was going to have a baby then she wanted to have it in England. Once home, the Rougiers lived at 62 Stanhope Gardens for some months and Ronald invested in a partnership in a gas, light and coke company in the Horseferry Road. Unfortunately, the investment did not reap the hoped-for rewards and by October they had decided to leave London and move to the country. It was there that she would write her first detective-thriller, Footsteps in the Dark.

A penchant for privacy

Perhaps it was her penchant for privacy that made the idea of country living so appealing to Georgette. Her father’s death in 1925 had been a cataclysmic event in her life and her overwhelming grief had kept her from writing for over two years. It was during her time in Tanganyika that she had healed. Isolated from the world back home and from the countless reminders of her loss, living a grass hut in a remote compound, the only expatriate woman for 150 miles, she had begun writing again. And then in Macedonia she had lived in a small medieval village, happy to write without the interruption of a busy social life or chatty neighburs (she didn’t speak the language). As an author, she was used to isolation, but even outside of her writing life, Georgette did not seek the bright lights and and busy social whirl of London. By April 1931,

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Corinne Fenton’s Biography verify Kids

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