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Joan MIRÓ - Miro Escultor, Sweden, - Lithographie
Joan MIRÓ
Miro Escultor , Sweden
Original lithograph
Signed in the plate
Edition of 1500
On Guarro paper
1974
Dimensions of the work: 40 cm x 20 cm
Format of the image: 40 cm x 20 cm
Perfect condition
References
Cramer n° 938
Dimensions :
- Height : 20 cm
- Width : 40 cm
Joan Miró : Spanish painter and sculptor born in Barcelona in 1893, He studies at Barcelona Fine Arts School from 1907 and entirely dedicated himself to painting since 1912. The artist asserts himself throw different mediums, painting, collage, lithography, etching, ceramic, sculpture on marble and bronze... Miró discovers cubism and fauvism in Paris where he lives in 1920 and meets up with Pablo Picasso, André Masson and dadaïst members, before he become a member of surrealism. He completes his series of "Constellations" (1940-1941) at Palma de Mallorca where he stays in 1956. In 1942, he comes back to Barcelona then to United States five years later and begins monumental painting ("Composition with ropes", 1950, Eindhoven). From years 1960, his paintings show a new space research, often monochrom ("Blue I, II, III", 1961). His latest works are monumental statues for Chicago (1981), Houston and Barcelona (1982). The artist died in Palma de Mallorca in 1983.
Fondation Beyeler (Switzerland) Fondation Beyeler (Switzerland) CAC Málaga - Centro de Arte Contemporáneo, Málaga The Brant Foundation. Art Study Center, Greenwich (Connecticut) Dallas Contemporary, Dallas (Texas) Fusing European Expressionism with American popular culture, André Butzer (b. 1973, Stuttgart) has painted his way through the artistic and political extremes of the 20th century – life, death, consumption and mass entertainment – into the 21st century. With wide ranging influences including Paul Cézanne, Edvard Munch, Henri Matisse, as well as Walt Disney and Henry Ford, Butzer has developed a unique and elaborate fictitious universe. Image: Untitled, 2020, acrylic on canvas, 212.5 x 199.5 cm.; 83 5/8 x 78 1/2 in. Photo: def image Darren Almond, Giulia Andreani, Karel Appel, Louise Bonnet, Glenn Brown, André Butzer, Sarah Crowner, Jeremy Demester, Carroll Dunham, Ida Ekblad, Walton Ford, Günther Förg, Katharina Grosse, Mark Grotjahn, KAWS, Friedrich Kunath, Jake Longstreth, Eddie Martinez, Albert Oehlen, Adam Pendleton, Tal R, Bridget Riley, Eleanor Swordy, Rinus Van de Velde, Grace Weaver London: 41 Dover Street 14 January – 22 February 2025 Giulia Andreani, Louise Bonnet, André Butzer, Carroll Dunham, Ida Ekblad, Barry Flanagan, Günther Förg, Katharina Grosse, Mark Grotjahn, Jake Longstreth, Victor Man, Danielle Mckinney, Albert Oehlen, Adam Pendleton, Richard Prince, Eleanor Swordy, Turs
Fundació Joan Miró (Spain)
Walker Art Center (The USA)
Museo Patio Herreriano (Spain)
The University of Iowa Museum of Art (The USA)
MacVal (France)
Das Museum Folkwang (Germany)
Kunstmuseum Basel (Switzerland)
The Broad Art Foundation (The USA)
The Bridgestone Museum of art Ishibashi Foundation (Japan)
Museo Tamayo (México)
Armand Hammer Museum (The USA)
Schaulager - Emmanuel Hoffmann Foundation (Switzerland)
Mildred Lane Kemper Art Museum (The USA)
Fundação Calouste Gulbenkian (Portugal)
Fundació Pilar i Joan Miró a Maiorca (Spain)
Musée d'art moderne Ceret (France)
Musée des Beaux Arts de Nantes (France)
Neuer Salvador Dali (after) - The musical lily, 1979, signed lithograph, edition of 800 copies, Flordali
Fundació Joan Miró (Spain)
Walker Art Center (The USA)
Museo Patio Herreriano (Spain)
The University of Iowa Museum of Art (The USA)
MacVal (France)
Das Museum Folkwang (Germany)
Kunstmuseum Basel (Switzerland)
The Broad Art Foundation (The USA)
The Bridgestone Museum of art Ishibashi Foundation (Japan)
Museo Tamayo (México)
Armand Hammer Museum (The USA)
Schaulager - Emmanuel Hoffmann Foundation (Switzerland)
Mildred Lane Kemper Art Museum (The USA)
Fundação Calouste Gulbenkian (Portugal)
Fundació Pilar i Joan Miró a Maiorca (Spain)
Musée d'art moderne Ceret (France)
Musée des Beaux Arts de Nantes (France)
Neuer Berliner Kunstverein (Germany)
Deutsche Bank Art Collection (Germany)
Museum Abteiberg (Germany)
Musée d'art Moderne et contemporain de Nice (MAMAC) (France)
The José Manuel Rodrigues Berardo Collection (Portugal)
Margulies Contemporary Art Collection (The USA)
Museum of Modern Art (MOMA) (The USA)
The Thyssen Bornemisza Collection (Spain)
The Gilbert Brownstone Foundation (France)
Frederick R. Weisman Art Foundation (The USA)
Musée des Beaux Arts, Montréal (Canada)
Les Abattoirs - FRAC Midi Pyrénées (France)
Fukuoka Art Museum (Japan)
Albright-Knox Art Gallery (The USA)
Kunsthaus Zurich (Switzerland)
Fondation Marguerite et Aimé Maeght (France)
Microcollection (Italy)
Queensland art Gallery (Australia)
LAM (Musée d'art moderne Lille Métropole) (France)
San Diego Museum of art (The USA)
Nykytaiteen museo Kiasma (Finland)
The Cleveland Museum of Art (The USA)
Birmingham Museum and Art Gallery (United Kingdom)
Tehran Museum of Contemporary Art (Iran)
Scharf-Gerstenberg Collection (Germany)
Carnegie Museum of art (The USA)
Collection André et Bona Pieyre de Mandiargues
The Louisiana Museum of Modern Art (Denmark)
The Nahmad Collection (Monaco)
National Gallery of Art, Washington (T
Curated by Fernando Francés
This is the first individual exhibition in Europe by American artist Phil Frost (New York, 1973). The show includes a selection of works, paintings on canvas, wood and found doors, which have been made throughout his artistic career, from 1997 to the present. His work by him is rooted in sensation, perception, environment, memory and imagination, arising from tumultuous emotions through a thoughtful and calculated process. In his works by him, the artist includes glued objects such as toy cars, small stones, bottles with buttons or cans, among others, using canvas, wood or doors as supports.
More information at: CAC Málaga
Salle’s first comprehensive survey in 20 years comprises over 40 works from the Brant Collections and loans from international private collections, foundations, and museums.
Salle ha desarrollado, a lo largo de cuarenta años, una sintaxis visual estrictamente controlada. Al igual que en la poesía, la música y cualquier otro lenguaje organizado sintácticamente, lo que cuenta es la infinidad de relaciones de las partes con el todo. El trabajo de Salle es "orquestal" por naturaleza y puede ser visto en el contexto más amplio del Modernismo de comienzos y mediados del s. XX, específicamente en el del lenguaje (visual o verbal) de los poetas y pintores, artistas que buscan captar el ritmo y complejidad de la vida contemporánea mediante el uso de la sinécdoque, la comprensión narrativa, la yuxtaposición y una resistencia general a la clausura.
Más información: The Brant Foundation
Imagen: Tom Powel Imaging
Curated by Executive Director Peter Doroshenko
CELL GRIDS, Peter Halley’s first exhibition in Texas in more than fifteen years, presents a unique series of paintings made from 2015 to the present. CELL GRIDS showcases a surprising vein
Many iconic characters have come to populate Butzer’s ‘Science Fiction-Expressionism’ with their recognisable large comic-book eyes, inflated heads or oversized hands. First appearing in 1999, these bright figures and shapes continue to lure the viewer in subsequent bodies of work. Engaging with the fundamental dimensions of colour, light and painterly expression, Butzer’s practice has shifted through the seemingly utter blackness of his N-Paintings, to a return to vibrancy, following his move to California between 2018 to 2021. Painting en plein air year-round, these recent works vibrate with a bold, energetic force.
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