3 idiots movie biography about marilyn

“I have learned to stand up on my feet after having broken both my legs”

-Raju, from the movie 3 Idiots

 This quote from the movie ‘3 Idiots’ have marked a great impact within my heart.

The 2009 Hindi movie ‘3 Idiots’ directed by Rajkumar Hirani revolves around with the friendship of three mechanical engineering students: Farhan Qureshi, Raju Rastogi, and Rancchoddas Rancho Chanchad, who all faces great struggles while reaching their dreams studying in one of India’s top engineering school, Imperial College of Engineering.

The film mainly focus on the themes about hope, family, and the pursuit of happiness.

 Known for being a great film because of its comedy and cast, the movie also portrays commendable moral lessons in life which can be applied in everyday life.

Failures.

Failures are definitely rampant in college, and what you’ll only do with this to prevent yourself from being depressed is to learn from all of it and do better next time. This movie has instilled this in my mind because after all, there’s always room for improvement.

As a fellow Mechanical engineering student, it is a superb movie for me since the plot of the movie reflects what I am facing now.

The movie ‘3 Idiots’ have showed the real scenarios of what an engineering student faces.

This movie portrayed that being a mechanical engineering student is really hard; that we experience great pressure within the school, with our family- or friends.

It also showed the different cases why we are choosing this course (we are passionate about it because of our parent’s choice, peer pressure, society pressure, or thinking that because after graduating from this course, great money awaits).

The movie also teaches students to enjoy college and not be too serious about it.

Students must build strong and memorable friendships amidst the hardships encountered while studying because, in the end, grades won’t matter in the real world, relationships do.

This movie also inspires me to

  • 3 idiots summary essay
  • And so a final investigation was launched into the death of Marilyn Monroe, termed the last attempt to address the widespread rumours regarding how and why the greatest sex icon who has ever lived met her death.  Did she commit suicide, or was it an accidental overdose of prescription sleeping tablets?  Was she murdered by the Mafia, or assassinated by government agencies?

    The Netflix documentary ‘The Mystery of Marilyn Monroe – The Unheard Tapes’, is a sobering and saddening watch.  It explores the mysteries surrounding Marilyn’s death using previously unpublished taped interviews with people who knew her well.  Was there anything new to be learned from these taped conversations?  Not really, except to confirm just how much she was misunderstood.

    During the 1940s, 50s and 60s the world was even more male-dominated than it is today.  And this goes double or even triple for Hollywood.  Marilyn had a troubled childhood.  Her mentally ill mother was confined to an institution while Marilyn grew up in a children’s home, and fostered by ten different families.  Marilyn (then Norma Jean Baker) was deprived of family and love.  Consequently, she looked on herself as a waif, someone unimportant who didn’t really matter.  Marilyn’s joy was to sit in movie theatres all day until someone came to collect her.  Her heroine was Jean Harlow and she dreamed of becoming a movie star.  She was spotted in Hollywood and soon discovered that the way for a woman to get into movies was to sleep with the powerful casting directors or producers.  There was no alternative.  The film industry people in power were men who bedded budding starlets before casting them. To Marilyn, a vulnerable but beautiful young woman, already her perception of sex was skewed.  Sex was certainly nothing to do with love.  It was all about pandering to the needs of some influential man in order to get where you wanted to be.  Marilyn was fiercely ambitious.  She wanted to be a good actress and was willing t

    Rajkumar Hirani: I am really nervous with PK

    Rajkumar Hirani, who rules critics’ hearts as much as he rules the box office, is back after five years. Sonil Dedhia listens in as the filmmaker talks about PK (without dropping the cloak of secrecy of course).

    Rajkumar Hirani wears his trademark smile, as he walks into the UTV office in Mumbai.

    He is one of the most successful directors in recent times -- at the box-office and with the critics -- but readily admits that he is feeling the pressure to deliver another hit in PK.

    Hirani, who returns to the theatres after five years and a mega hit like 3 Idiots, sidesteps questions on the subject of PK but opens up about its making, an Inception-like project that had to be scrapped and his plans of making a biopic on Sanjay Dutt.

    Are you nervous about the release?

    The more you succeed, the more you want people to love your efforts. So the only film I was not nervous about was Munnabhai MBBS. It was my first film and I was just happy with the thought that I have made my first film and my friends and family have seen it and appreciated it.

    Since then, I have always been nervous before the release of all my films.

    I remember when 3 Idiots was about to release, I thought it was a shit film and my previous film Lage Raho Munnabhai was far superior (laughs).

    I am really nervous with PK. The good thing is that the film has a unique story and I am confident that people will love it.

    What prompted you to turn producer with this film?

    It’s a natural progression. I have produced my earlier films too, though my name did not appear in the credits.

    Vidhu Vinod Chopra, who has produced my earlier films, is still a part of PK and is presenting it. He is not a hands-on producer -- he used to put a certain amount in the bank and give me the cheque book.

    You are one of the very few directors whose films have done well at the box office and been appreciated by the critics as well.

  • Maryam d'abo husband
  • 3 idiots ending
  • Maryam d'Abo

    British actress (born 1960)

    Maryam d'Abo

    D'Abo in 1987

    Born (1960-12-27) 27 December 1960 (age 64)

    Hammersmith, London, England

    OccupationActress
    Years active1982–present
    Spouse

    Hugh Hudson

    (m. ; died )​
    RelativesGiorgi Kvinitadze (grandfather)
    Mike d'Abo (first cousin)
    Olivia d'Abo (first cousin once removed)

    Maryam d'Abo (born 27 December 1960) is a British actress, best known as Bond girlKara Milovy in the 1987 James Bond film The Living Daylights.

    Early life

    Born in London to Georgian mother Nino Kvinitadze, daughter of General Giorgi Kvinitadze, and Anglo-Dutch father Peter Claude Holland d'Abo, of a landed gentry family of West Wratting, Cambridgeshire. Maryam d'Abo was raised in Paris and Geneva.

    D’Abo was drawing from the age of eight, but by 13 she wanted to become an actress; she joined an amateur theatre company while at school in Geneva. She decided to do a foundation course at the London College of Printing at 18, but she abandoned those studies in order to go to drama school at Drama Centre London. She left after one term in order to make her film debut.

    Career

    D'Abo made her screen debut in the low-budget science fiction horror film Xtro (1982), playing Analise Mercier, a French au pair, who becomes a human incubator for an alien. She appeared in the film Until September (1984) and had small roles in television mini-series based on Sidney Sheldon's novels Master of the Game (1984) and If Tomorrow Comes. She also appeared in Oscar winner Taylor Hackford's film White Nights (1985) and in an uncredited role as a woman pouring champagne to Klaus Maria Brandauer at a hunting party in the Oscar winning Out of Africa (1985), directed by Oscar winner Sydney Pollack. Other credits include Arthur the King (1985).

    She worked on