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G.T.
Sadije Aliti was born in the village of Glloqë, the municipality of Tearce. She has been working as a teacher of Albanian language and literature in Tearce for more than two decades, but she is also a translated poet and participant in many literary events, as well as a civic activist. She also worked as a journalist for the newspaper Fakti, including the war period in
The interview was recorded in
FLLANZA JUSUFI: Hello Sadie. Can you introduce yourself, tell us your name and surname, something about yourself, where you work, the school
SADIJE ALITI: Hello. I’m Sadije Aliti, I’m an Albanian language teacher in an elementary school in Tearce, for more than two decades now.
FJ: Can you tell us something more about this school?
SA: My school has classes in three languages, it’s a multi-ethnic school, we teach in Albanian, Macedonian and Turkish. And it’s also one of the oldest schools in the Pollog region. So, it has a long tradition in education and has had classes in three languages since it was established.
Before this I took my first steps in teaching in September , in Glogji, where I was born. I worked there for 3 years and later on continued to teach in the elementary school in Tearce, and I have been in regular work relations in that school until now.
Apart from teaching, I also worked as a journalist for a long time, for a former daily newspaper “Fakti”. So, for more than a decade I had two parallel jobs, one as a teacher and another as a journalist.
Some people know me as a teacher, some know me as a journalist, and others as a poet, since I started writing poetry from an early age, until now I have published around 19 books of poetry, translated in more than 15 languages around the world. I have been an active participant in many literary events on Albanian soil but also abroad, in Europe, where my poetry was acknowledged, appreciated, it won first, second, third prizes … A large corpus of my works
I have also be "Makpetrol AD", is the current proprietor of the television station, which acquired 51 percent of RTA television in August It subsequently rebranded it as "Telma", an abbreviation for "Television Makpetrol". In , the network was granted a broadcasting license for the city of Skopje, followed by a national broadcasting license in June During the late s and the early s, "Telma" emerged as the exclusive broadcaster of the prominent Italian First League (Calcio), solidifying its presence in the media landscape. Today, the media operates according to the granted license for a general format, with a focus on informative editions and debate television's news programme sometimes echoes the interests of the "Makpetrol" oil company. Telma has long been recognized for its continuity in management, with esteemed writer and publicist Risto Lazarov serving as its director for decades, together with journalist Emilija Lazarevska as the editor. Following Lazarov's retirement in , "Telma" underwent a visual rebranding, appointing Atanas Kirovski to the top executive role. However, Kirovski stepped down from his position in the middle of , paving the way for the appointment of the longstanding editor Snezhana Lupevska-Sozen, who now holds the dual role of editor-in-chief and director of the television.Telma
Sasa Dragojlo, 33, wanted to write poetry with rhythm and hip-hop music but at the same was curious about people and the world. Eventually, he decided to become a journalist because it combines all of these.
Before journalism, he did many jobs from working in call centres to warehouses; however, in April he grasped the opportunity to work for BIRN. Since then, he has never quit this “nutjob profession”, as he calls it.
His favourite topics to work on are about corruption, crime, human trafficking, etc. Together with BIRN’s Kosovo correspondent, Xhorxhina Bami, he worked on an investigative story on the weaponry seized from Serb gunmen in northern Kosovo.
Recently, he won third prize as part of a team of BIRN and the Centre for investigative journalism of Serbia CINS for an investigation into Serbian arms exports to Myanmar following the army coup in that country. He also won third prize in the EU investigative awards for a story on a translator for the Serbian police who led a people-smuggling gang.
Let’s meet him!
- Why did you become a journalist and work for an investigative non-profit like BIRN? What do you like most in your job, and what is the most challenging thing?
I always wanted something linked to writing – from literature to poetry with rhythm, etc., like hip hop music. However, I have also been curious about the world in general and why we, as individuals, act like we act and that led me to the politics of our communities and the ideologies that shape them. But I also like to be active, learn about real people and ‘fight the power’. And when you combine all that, you get journalism – an eclectic field that combines all of that. However, when I got my degree at the Faculty of Political Science the future in journalism was not so clear. I wrote columns, essays and free-form prose in multiple online media, but could not live off it, so I worked multiple ‘real jobs’ – from call centres to warehouses. I thought I would never find a media that wan Lisa Nawrocki Lisa Nawrocki studied Digital Media Culture (B.A.) and Media Studies (M.A.) at Film University Babelsberg KONRAD WOLF in Germany. During this time, she produced short films and worked four years for the International Student Film Festival Sehsüchte. In she was part of the festival management and led the festival during the pandemic to its first hybrid version. Since she is the Focal Point for the UNESCO Creative City of Film Potsdam. Jordi Hernàndez-Prat A multi-potential creature of the Film Industry who is so happy to deal with complex technical challenges, creative solutions, talent transfer and disrupting strategic decisions. After 15+ years of frontline professional experience I have improved skills in very different fields, transforming and updating me so many times and not only after successful achievements but also as a result of the mistakes. Used to diving into the very muddy waters to turn an old ancient hospital, beginning from scratch (in ), into a topnotch film studio now including a hub of 30+ companies and + m2 of production facilities, that was designated as “Best Practice in Innovation ” by the European Commission. /24h manager of all sort and unexpected issues, daily used to collaborating with the production’s teams of very significant companies (Netflix, Movistar+, Gestmusic-Endemol Shine, Lionsgate, RTVE, Filmax, CANADA…) Finally earning a deep knowledge of the whole content-production process, from the more creative part to the technical one, as of the entire audio-visual sector in Spain and Europe. One realizes that high efficiency, team-working and respect, resilience, rigor, honesty and good humor, are key points because they mean tons of money and trust. Guillaume Rousseau Guillaume Rousseau, Nov Born in Paris (France), he pursued his higher studies at Paris IX Dauphine University. At the age of 25, he decided to change his life and moved to Madrid, Spain. where Forum of UNESCO Creative Cities of Film